Paul Benjamin
Therefore the mltiplosaspectos that the device can register of the reality to a large extent place forado specter of a normal sensible perception. (BENJAMIN. 1993, P. 189) to say itself of the accomplishment of a film, atrevo me it colocaro ' ' nose of cera' ' , therefore she is necessary to speak of the montagemcinematogrfica. This means to say that one has filmed to arrive the screen of cinemae to be glimpsed by the spectator, needs to be stoned with perfection. esta' ' perfectibilidade' ' , in the words of Benjamin, it means to say que' ' the finished film is not produced of one alone spurt, and yes mounted to break deinmeras isolated images and of sequences of images between which montadorexerce its right of escolha.' ' 7 Moreover, the technique of the montagempermite, beyond making to dialogue the images, relating the sounds (noises, musics, words) and the graphical registrations of a film. In the same way, for Francis Vanoye 8, ' ' the film operaescolhas, organizes elements between itself, decupa in the Real and the imaginary one, constrium possible world that keeps complex relations with the real world: its consequence can be emparte, but also recusa.' can be its; ' As it occurs in the cenasaludidas ones, therefore however if they disclose of transparent form however of forma' ' opaca' ' , or still, as cloth of deep, having as disfarce' ' perfeito' ' , the smoke curtain or the scale that balances obem and the evil. Occulting itself, perhaps, important aspects of the dumb real. Seriaesse the pull of the cat? ' ' A possible reading of the images of the film For in such a way, becomes necessary the explanation that consists to emretirar ' ' estranheza' ' of the object that if considered to comment (scenes), demodo to become it more understandable. In this manner, it is initiated for the intriguer cenaem that the personage shows photographs of the small farm (this where elecomercializa cigarettes and cigars) for the personage Paul Benjamin, one escritorque ' ' perdeu' ' its ' ' inspirao' ' after the death of the wife.
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